Sitka Music Festival: 55th Summer Music Festival
Subscription Concert 8: An Afternoon of Brahms
Igor Shakhman, Clarinet; Zuill Bailey, Cello; Natasha Paremski, Piano; Yuriy Bekker, Violin; Awadagin Pratt, Piano
Saturday, June 27, 2:30 p.m. – Harrigan Centennial Hall
Program
Johannes Brahms – Clarinet Trio in A minor, Op. 114
Igor Shakman, Clarinet
Zuill Bailey, Cello
Natasha Paremski, Piano
Johannes Brahms – Violin Sonata No. 1 in G major, Op. 78
Yuriy Bekker, Violin
Awadagin Pratt, Piano
—Intermission—
Johannes Brahms – Cello Sonata in E minor, Op. 38
Zuill Bailey, Cello
Natasha Paremski, Piano
About the Artists
Yuriy Bekker is a critically acclaimed conductor, violinist, and passionate community ambassador. He has led the Charleston Symphony Orchestra as Artistic Director since 2021, while concurrently serving as Concertmaster since 2007 and Principal Pops Conductor since 2016. Bekker previously served as the orchestra’s Acting Artistic Director from 2010 to 2014 and has long demonstrated vision and dedication to the CSO. In 2011, he received the Outstanding Artistic Achievement Award from the City of Charleston in recognition of his cultural contributions to the community.
Bekker is currently Distinguished Professor of Practice at the College of Charleston School of the Arts (CofC), serving as Director of the College of Charleston Orchestra, where he has engaged internationally renowned soloists such as Augustin Hadelich and Sarah Chang, leading to sold-out performances. In 2023, Bekker led the CofC Orchestra on its first tour, culminating in a Kennedy Center debut. He previously served as Music Director of the Piccolo Spoleto Festival’s Spotlight Chamber Music Series and is co-founder of the Charleston Chamber Music Intensive, a summer program for high school and college-aged musicians. During the summer, he also regularly serves on the faculty of both the Gingold Chamber Music Festival in Miami, FL and the Nelli Shkolnikova Academy in the Loire Valley, France.
In 2025, a multi-year initiative reached its peak when the Charleston Symphony Orchestra, Charleston Youth Symphony, and College of Charleston Orchestra shared the stage at Carnegie Hall in a gala celebrating Charleston’s vibrant cultural community — and marking Maestro Bekker’s Carnegie conducting debut. His vision, fundraising, and tireless advocacy made this extraordinary evening possible.
Yuriy Bekker has performed internationally as a guest concertmaster, chamber musician, conductor, and soloist. He has served as concertmaster of the Orlando Philharmonic Orchestra and the AIMS Festival in Graz, Austria, and has held positions with the Houston Symphony, Houston Grand Opera, and Houston Ballet. In addition to performing over a dozen violin concerti with the CSO, he has also appeared as guest concertmaster with the Vancouver Symphony, Ulster Orchestra, Buffalo Philharmonic, and Kansas City Symphony. His festival and venue appearances include the European Music Festival (Stuttgart), Pacific Music Festival (Japan), Spoleto Festival USA, Aspen Music Festival, The Kennedy Center, Chicago Chamber Music Society, and many others across the U.S. and abroad.
From the podium and in chamber settings, he has collaborated with artists including Itzhak Perlman, Augustin Hadelich, Gil Shaham, Sarah Chang, Joshua Roman, Alexander Kerr, Andres Cardenes, Robert DeMaine, and Ilya Kaler. As Principal Pops Conductor of the CSO, he has led performances with celebrated entertainers such as Ben Folds, Tony DeSare, Ellis Hall, Ranky Tanky, and Cirque de la Symphonie.
Bekker is a passionate champion of contemporary music. He has recorded new works by Edward Hart and Thomas Cabaniss to critical acclaim. His recording of Hart’s Under an Indigo Sky reached the Top 10 on Billboard’s Classical Albums chart. His debut CD, Twentieth Century Duos, received international praise and a nomination for the International Classical Music Awards.
Bekker earned a Graduate Performance Diploma from the Peabody Conservatory as a student of Herbert Greenberg. He also holds Bachelor's and Master's degrees from the Indiana University School of Music, where he studied violin with Nelli Shkolnikova and Ilya Kaler. His conducting teachers and mentors have been Christopher Wilkins, David Zinman, Imre Palló, and David Effron.
Born in Minsk, Belarus, Yuriy Bekker is now a proud U.S. citizen, husband to his wife, Jenny, and father to their children, Nathanael and Charlotte. He performs on the 1638 Franz Degen Andrea Guarneri violin, generously on loan from an anonymous patron.
Through his kaleidoscopic career as a pianist, conductor, educator, and curator of memorable musical moments, Awadagin Pratt shines a light on voices of the past and present, amplifies the diverse talents of today’s brightest creative minds, and paves the way for a new generation of inventive musical artists.
Since winning the Naumburg International Piano Competition in 1992 and receiving a 1994 Avery Fisher Career Grant, Pratt has received acclaim for delivering “forceful, imaginative, and precisely tinted” performances (The Washington Post) and been hailed as “one of the great and distinctive American pianists and conductors of our time” (WGBH). He has appeared at addresses as familiar as 1600 Pennsylvania Avenue (at the invitation of the Clinton and Obama administrations) and Sesame Street (at the invitation of Big Bird): He has performed with the Boston and Chicago Symphony Orchestras, the New York Philharmonic, and many others; in solo recitals at the Kennedy Center, Carnegie Hall, and Lincoln Center; and in chamber music collaborations with cellist Zuill Bailey, pianist Simone Dinnerstein, and the Harlem and St. Lawrence String Quartets. His 2023 recording, Stillpoint, explores the truth and beauty in T.S. Eliot’s Four Quartets through new works byTyshawn Sorey, Paola Prestini, Peteris Vasks, Jessie Montgomery, Jonathan Bailey Holland, Alvin Singleton, and Judd Greenstein.
He became principal conductor of the Miami Valley Symphony Orchestra in the 2023/24 season, and he has conducted the Chamber Orchestra of Pittsburgh, Georgian Philharmonic Orchestra (Tbilisi), and Bang on a Can at the Brooklyn Academy of-Music. He made his operatic debut leading Porgy and Bess with the Greensboro Opera (North Carolina).
In response to the murder of George Floyd, Pratt created a podcast that evolved into a multimedia musical experience. Performed primarily on college campuses across the U.S., Awadagin Pratt: Black in America, fuses music of Bach, Messiaen, and Liszt with still and moving pictures by filmmaker Alrick Brown and narration in which Pratt chronicles his life – from his time as a music student at the Peabody Conservatory through his ascent to international acclaim – through graphic accounts of numerous police stops and arrests he experienced for Driving While Black. In 2023, a documentary version, directed by Michelle Bauer Carpenter, was screened at film festivals nationwide.
Pratt’s commitment to the next generation of pianists is evidenced by his work as founding director of the Next Generation Festival, the Art of the Piano Foundation, and the Nina Simone Piano Competition, a new biennial competition that celebrates diversity in classical music.
He served as professor and artist in residence at the University of Cincinnati College-Conservatory of Music for two decades and is now professor of piano at the San Francisco Conservatory of Music.
Zuill Bailey, Cello Zuill Bailey, widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today. Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s Tales of Hemingway, with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “Rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet. He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Music Festival, Sitka International Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
With her consistently striking and dynamic performances, pianist Natasha Paremski reveals astounding virtuosity and profound interpretations. She continues to generate excitement from all corners as she wins over audiences with her musical sensibility and a powerful, flawless technique.
Natasha is a regular return guest of many major orchestras, including Minnesota Orchestra, San Francisco Symphony, Grant Park Festival, Winnipeg Symphony, Kitchener-Waterloo Symphony, Oregon Symphony, Elgin Symphony, Colorado Symphony, Buffalo Philharmonic, Virginia Symphony, and Royal Philharmonic Orchestra with whom she has performed and toured frequently since 2008 in venues such as Royal Albert Hall, Royal Festival Hall, and Cadogan Hall. She has performed with major orchestras in North America including Dallas Symphony Orchestra, Los Angeles Philharmonic Orchestra, San Diego Symphony, Toronto Symphony, Baltimore Symphony, Houston Symphony, NAC Orchestra in Ottawa, Nashville Symphony. She has toured extensively in Europe with such orchestras as Bournemouth Symphony Orchestra, Vienna’s Tonkünstler Orchester, Royal Scottish National Orchestra, Orchestre de Bretagne, the Orchestre de Nancy, Royal Liverpool Philharmonic Orchestra, Tonhalle Orchester in Zurich, Moscow Philharmonic, under the direction of conductors including Thomas Dausgaard, Peter Oundjian, Andres Orozco-Estrada, Jeffrey Kahane, James Gaffigan, JoAnn Falletta, Fabien Gabel, Rossen Milanov and Andrew Litton. In addition, she has toured with Gidon Kremer and the Kremerata Baltica in Latvia, Benelux, the United Kingdom and Austria as well as appearances with National Taiwan Symphony Orchestra in Taipei.
Natasha has given recitals at the Auditorium du Louvre in Paris, Wigmore Hall, Schloss Elmau, Mecklenburg-Vorpommern Festival, Verbier Festival, San Francisco Performances, Seattle’s Meany Hall, Kansas City’s Harriman Jewell Series, Santa Fe’s Lensic Theater, Ludwigshafen BASF Series, Teatro Colon in Buenos Aires, Tokyo’s Musashino Performing Arts Center and on the Rising Stars Series of Gilmore and Ravinia Festivals.
A passionate chamber musician, Natasha is a regular recital partner of Grammy winning cellist Zuill Bailey, with whom she has recorded a number of CDs. Their Britten album on Telarc debuted at No. 1 on the Billboard Classical Chart, remaining there for a number of weeks, in addition to being featured on The New York Times Playlist. She has been a guest of many chamber music festivals such as Jeffrey Kahane’s Green Music Center ChamberFest, the Lockenhaus, Toronto, Sitka Summer Music, and Cape Cod Chamber Music festivals to name a few.
Natasha was awarded several prestigious prizes at a very young age, including the Gilmore Young Artists prize in 2006 at the age of eighteen, the Prix Montblanc in 2007, the Orpheum Stiftung Prize in Switzerland. In September 2010, she was awarded the Classical Recording Foundation’s Young Artist of the Year. Her first recital album was released in 2011 to great acclaim, topping the Billboard Classical Charts, and was re-released on the Steinway & Sons label in September 2016 featuring Islamey recorded on Steinway’s revolutionary new Spirio technology. In 2012 she recorded Tchaikovsky’s Piano Concerto No. 1 and Rachmaninoff’s Paganini Rhapsody with Royal Philharmonic Orchestra and Fabien Gabel on the orchestra’s label distributed by Naxos.
With a strong focus on new music, Natasha’s growing repertoire reflects an artistic maturity beyond her years. In the 2010-11 season, she played the world premiere of a sonata written for her by Gabriel Kahane, which was also included in her solo album.
Natasha continues to extend her performance activity and range beyond the traditional concert hall. In December 2008, she was the featured pianist in choreographer Benjamin Millepied’s Danses Concertantes at New York’s Joyce Theater. She was featured in a major two-part film for BBC Television on the life and work of Tchaikovsky, shot on location in St. Petersburg, performing excerpts from Tchaikovsky’s First Piano Concerto and other works. In the winter of 2007, Natasha participated along with Simon Keenlyside in the filming of Twin Spirits, a project starring Sting and Trudie Styler that explores the music and writing of Robert and Clara Schumann, which was released on DVD. She has performed in the project live several times with the co-creators in New York and the U.K., directed by John Caird, the original director/adaptor of the musical Les Misérables.
Natasha began her piano studies at the age of four with Nina Malikova at Moscow’s Andreyev School of Music. She then studied at San Francisco Conservatory of Music before moving to New York to study with Pavlina Dokovska at Mannes College of Music, from which she graduated in 2007. Natasha made her professional debut at age nine with El Camino Youth Symphony in California. At the age of fifteen she debuted with Los Angeles Philharmonic and recorded two discs with Moscow Philharmonic Orchestra.
Born in Moscow, Natasha moved to the United States at the age of eight, becoming a U.S. citizen shortly thereafter, and is now based in New York City where she is Artistic Director of the New York Piano Society, a non-profit organization that supports pianists whose professions lie outside of music.
Igor Shakhman is principal clarinet and CEO of the Vancouver Symphony (Washington, USA).
About the Sitka Music Festival The Sitka Music Festival (SMF) inspires audiences, sparks creativity, and strengthens community across Alaska through world-class chamber music performances, education, and artist training. For 55 years, SMF has presented classical music at the highest artistic standards. Festival musicians have traveled to more than 40 Alaskan communities, including remote villages off the road system, sharing music with audiences who might not otherwise experience live chamber music at this level. In turn, visiting artists are enriched by the deep cultural traditions and unique landscapes of Alaska. As a 501(c)(3) nonprofit, SMF remains committed to bringing exceptional music experiences to communities statewide.