55th Summer Festival Subscription Concert 2:
Romantic Dialogues: Mendelssohn Cello Works and Dvořák Piano Quintet
Saturday, June 6, 7 p.m. – Harrigan Centennial Hall
Program
Felix Mendelssohn – Variations concertantes in D major for Cello and Piano, Op. 17
Zuill Bailey, Cello & Piers Lane, Piano
Felix Mendelssohn – Cello Sonata No. 2 in D major, Op. 58
Zuill Bailey, Cello * Piers Lane, Piano
—Intermission—
Antonín Dvořák – Piano Quintet No. 2 in A major, Op. 81
Balourdet String Quartet with Piers Lane, Piano
London-based Australian pianist Piers Lane has a worldwide reputation as an engaging, searching and highly versatile performer, at home equally in solo, chamber and concerto repertoire. Five times soloist at the BBC Proms, his wide-ranging concerto repertoire exceeds one hundred works and has led to engagements with many of the world’s great orchestras, working recently with conductors like Sir Andrew Davis, Vassily Sinaisky, Gerard Schwartz and Brett Dean.Festival appearances have included Aldeburgh, Bard, Bath Mostly Mozart, Bergen, Cheltenham, Como Autumn Music, Prague Spring, Rockport, La Roque d’Anthéron, Ruhr Klavierfestival, Schloss vor Husum, Seattle and the Chopin festivals in Warsaw, Duszniki-Zdrój, Mallorca and Paris.
He has performed in over forty countries, highlights including annual Wigmore Hall solo recitals and concerto performances in London’s major halls and at Carnegie Hall, including a performance of the mighty Busoni Concerto. In 2015 Piers Lane
was appointed Artistic Director of the Sydney International Piano Competition and is responsible for initiatives like the 2021 Online Piano Competition, the Piano Lovers’ Competition for amateur Australian pianists and Composing the Future, a competition to help Australian composers and pianists during covid times.
He is a popular judge at international piano competitions and has also judged the Menuhin International Violin Competition and the Michael Hill International Violin Competition. His extensive collaborations with violinist Tasmin Little CBE, actress Dame Patricia Routledge (in the Dame Myra Hess exploration Admission: One Shilling) and the Goldner String Quartet have been of major importance. He is a member of the recently formed chamber group Amici della Musica. In recent seasons Piers Lane performed three concerti at Carnegie Hall, including the New York premiere of Ferdinand Ries’s Piano Concerto No.8 for the debut of The Orchestra Now (TŌN), and world premieres of Carl Vine’s second Piano Concerto and Double Piano Concerto (with Kathryn Stott) Implacable Gifts, both written for him.
His extensive discography for Hyperion includes much admired recordings of rare romantic piano concertos, the complete Malcolm Williamson piano concertos, the complete Preludes and Etudes by Scriabin, transcriptions of Bach and Strauss, along with complete collections of Concert Etudes by Saint-Saëns, Moscheles and Henselt, and transcriptions by Grainger. He has also recorded eleven volumes of piano quintets with the Goldner String Quartet for Hyperion, many cds with Tasmin Little for Chandos, further solo and chamber cds for EMI, Phillips, Dutton, Unicorn Kanchana and Mozart Concertos for ABC Classics. Recent releases include a Hyperion followup to the popular ‘Piers Goes to Town’ and awaiting release is a disc of Russian variations.
Piers Lane was Artistic Director of the Australian Festival of Chamber Music from 2007 to 2017, and from 2006 to 2013 directed the annual Myra Hess Day at the National Gallery in London. He has written and presented over 100 programmes for BBC Radio 3, including the 54-part series The Piano and has premiered works by such composers as Brett Dean, Colin Matthews, Richard Mills, Carl Vine and Malcolm Williamson. In the Queen’s Diamond Jubilee Birthday Honours he was made an Officer of the Order of Australia (AO) for distinguished services to the arts.
In 1994 he was made an Honorary Member of the Royal Academy of Music, where he was a professor from 1989 to 2007. Piers holds Honorary Doctorates from two Australian Universities: Griffith and James Cook. In 2022 he was presented with the coveted Sir Bernard Heinz Award for services to music in Australia.
Zuill Bailey is widely considered one of the premiere cellists in the world, is a Grammy Award winning, internationally renowned soloist, recitalist, Artistic Director and teacher. His rare combination of celebrated artistry, technical wizardry and engaging personality has made him one of the most sought after and active cellists today. Mr. Bailey has been featured with symphony orchestras and music festivals worldwide. He won the Best Solo Performance Grammy Award in 2017, for his recording of Michael Daugherty’s Tales of Hemingway, with the Nashville Symphony led by Giancarlo Guerrero. His extensive discography includes his newest release – the world premier recording of Ellen Taaffe Zwilich’s Cello Concerto with the Santa Rosa Symphony. Mr. Bailey received his Bachelor’s Degree from the Peabody Conservatory where he was named the 2014 Johns Hopkins University Distinguished Alumni, and received a Master’s Degree from the Juilliard School. He performs on the “Rosette” 1693 Matteo Gofriller Cello formerly owned by Mischa Schneider of the Budapest String Quartet. He is the Artistic Director of El Paso Pro-Musica (Texas), the Sitka Music Festival, Sitka International Cello Seminar, (Alaska), Juneau Jazz and Classics, (Alaska), the Northwest Bach Festival (Washington), Classical Inside Out Series- Mesa Arts Center (Arizona) and is Director of the Center for Arts Entrepreneurship and Professor of Cello at the University of Texas at El Paso.
The Balourdet Quartet is acclaimed for their vibrant energy and masterful blend of technical precision and emotional depth that brings a fresh perspective to both beloved classics and modern compositions. Its unique closeness and willingness to take creative risks earned it the 2024 Avery Fisher Career Grant, as well as Chamber Music America’s 2024 Cleveland Quartet Award. With more than 70 concerts per season, recent highlights include the Balourdet’s debuts at Carnegie and Wigmore Halls, and new string quartets by composers Karim Al-Zand, Paul Novak, and Nicky Sohn through grants from Chamber Music America (2021) and the Barlow Foundation (2023). They have recently been named the first ever Quartet-in-Residence at the Seattle Chamber Music Society and have recently completed residencies at Indiana University and the New England Conservatory’s Professional String Quartet Program.
Highlights of the 2025-26 season include performances at Carnegie Hall, the Freer Gallery at the Smithsonian, Boston’s Celebrity Series in Jordan Hall, and Chamber Music Houston. Recently, they have performed at the Kennedy Center, Buffalo Chamber Music, the Chamber Music Society of Detroit, and La Jolla Music Society and Rockport Music. Collaborations include violinist James Ehnes, pianists Marc-André Hamelin and Simone Dinnerstein, cellists Zuill Bailey and Astrid Schween, violist Jordan Bak, and the Dover, Pacifica, and Ying Quartets. They continue their position as String Quartet in Residence with the Chamber Orchestra of the Triangle in North Carolina where they curate the Up Close Chamber Music Series, serve as principals in the orchestra, and engage with the larger community of the Triangle region. Most recently, the Balourdet received the Chamber Music Award from the National Federation of Music Clubs for the 25-26 season and are winners of the Indiana University Jacobs School of Music’s 2025 Innovation Competition for their educational initiative Expedition Strings.
Committed to sharing their musical values with the next generation, the quartet has served regularly as faculty at the Green Mountain Chamber Music Festival, JDR Summer Music Academy, Berkshire Summer Music, and Opus Chamber Music. They have also given masterclasses and coachings at Northwestern University, University of Michigan, Rice University, Emory University, New England Conservatory Preparatory Department, Fischoff Chamber Music Academy, Upper Valley Chamber Music, and Wright State University.
The Balourdet journey began in 2018 in the mountains of New Mexico at the Taos School of Music, where violinists Justin DeFilippis, Angela Bae, and cellist Russell Houston first bonded as friends over long evenings of chamber music, luxurious Peppermint Schnapps and extravagant meals created by chef extraordinaire Antoine Balourdet, a renaissance man with an exceptional love of life and music. It was the friendships, a shared passion for music and food, and gratitude for the role the festival played in the formation of the quartet, that inspired the members to name the ensemble in Chef Balourdet’s honor.
Soon thereafter, in the heat of a waning Texas summer, Justin, Angela, and Russell joined with violist Benjamin Zannoni at Rice University, and the Balourdet Quartet was formed. Inspired by their love for the repertoire and the excitement of having found each other, the four friends found themselves playing quartets late into the night for fun. After having been together for only one year at Rice University, and a summer at the Aspen Music Festival, they took second prize at the Nielsen International String Quartet Competition, and were selected as the only quartet admitted to Boston’s historic New England Conservatory Professional String Quartet Program under the tutelage of Cleveland Quartet cellist Paul Katz.
In 2021, the Quartet won the Grand Prize at New York’s Concert Artists Guild Competition, which included joint management by Concert Artists Guild in the U.S., and Young Classical Artist’s Trust (YCAT) in the UK and Europe. In addition, the Balourdet has been prizewinners in Canada’s Banff International String Quartet Competition, the International Premio Paolo Borciani Competition in Italy, Gold Medal winners at the Fischoff National Chamber Music Competition, and Gold Medal and Audience Prizewinners at the Yellow Springs Competition.
About the Sitka Music Festival The Sitka Music Festival (SMF) inspires audiences, sparks creativity, and strengthens community across Alaska through world-class chamber music performances, education, and artist training. For 55 years, SMF has presented classical music at the highest artistic standards. Festival musicians have traveled to more than 40 Alaskan communities, including remote villages off the road system, sharing music with audiences who might not otherwise experience live chamber music at this level. In turn, visiting artists are enriched by the deep cultural traditions and unique landscapes of Alaska. As a 501(c)(3) nonprofit, SMF remains committed to bringing exceptional music experiences to communities statewide.